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	<title>Mhairi-Clare Fitzpatrick</title>
	<link>https://mhairiclarefitzpatrick.com</link>
	<description>Mhairi-Clare Fitzpatrick</description>
	<pubDate>Mon, 05 Nov 2018 19:59:22 +0000</pubDate>
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		<title>autoportrait</title>
				
		<link>https://mhairiclarefitzpatrick.com/autoportrait</link>

		<pubDate>Mon, 05 Nov 2018 19:59:21 +0000</pubDate>

		<dc:creator>Mhairi-Clare Fitzpatrick</dc:creator>

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		<description>autoportrait
&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/ca1c02cc0218baad61cd1bf8723acfdda33fd41d00643c7c8fd5abbfae04b642/autoportrait3.jpg" data-mid="27814534" border="0"  src="https://freight.cargo.site/w/1000/i/ca1c02cc0218baad61cd1bf8723acfdda33fd41d00643c7c8fd5abbfae04b642/autoportrait3.jpg" /&#62;autoportrait:(dir. Luke Willis Thompson)
35mm, Kodak Eastman Double-X BW, silent 8 minutes, 50 seconds. Arriflex 435Awards:
2018 - Turner Prize Nominee (Forthcoming)2018 - Deutsche Börse Photography Foundation Prize Winnerautoportrait&#38;nbsp;is a silent 35mm film of Diamond Reynolds. In July 2016, Reynolds used Facebook Live to broadcast the moments immediately after the fatal shooting of her partner Philando Castile by a police officer during a traffic-stop in Minnesota, United States. Reynolds’ video circulated widely online and amassed over six million views. autoportrait was conceived as a ‘sister-image’ to Reynolds video broadcast which would break with the well-known image of Reynolds, caught in a moment of violence and distributed within a constant flow of news. Despite the abundance of visual information, the officer who killed Castile was acquitted of all charges. autoportrait continues to reopen a question of the agency of Reynolds’ recording within, outside of, and beyond the conditions of predetermined racial power structures.
DIRECTOR OF PHOTOGRAPHY
 Mhairi-Clare Fitzpatrick 
AC / LIGHTING TECHNICIAN 
Miranda Langevin 
PROJECT LIAISON 
Sara CluggishCommissioned by Chisenhale Gallery, London. Filmed in Minneapolis, 2017. Produced in partnership with Create. With the support of Creative New Zealand Toi Aotearoa.
 Exhibitions:

2018 - Turner Prize (2018), Tate Britain, London
2018 - We don’t need another hero, 10th Berlin Biennale, Berlin
2018 - Luke Willis Thompson, Adam Art Gallery, Wellington
2018 - RAY 2018 Fotografieprojekte Rhein-Main, the MMK Museum of Modern Art (Frankfurt)
2018 - Deutsche Börse Photography Foundation Prize 2018, the Photographers Gallery, London (Winner)2018 - 2017 - Field Guide, Remai Modern, Saskatoon
2017 - autoportrait, Hopkinson Mossman, Auckland
2017 - autoportrait, Chisenhale Gallery, London

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		<title>How Long?</title>
				
		<link>https://mhairiclarefitzpatrick.com/How-Long</link>

		<pubDate>Mon, 05 Nov 2018 19:59:20 +0000</pubDate>

		<dc:creator>Mhairi-Clare Fitzpatrick</dc:creator>

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		<description>How Long?

&#60;img width="1795" height="1196" width_o="1795" height_o="1196" data-src="https://freight.cargo.site/t/original/i/59cea573500d3b51c4771b744eec3124a9196357003d404ec60289e2816c4e77/HowLong3.png" data-mid="27814708" border="0"  src="https://freight.cargo.site/w/1000/i/59cea573500d3b51c4771b744eec3124a9196357003d404ec60289e2816c4e77/HowLong3.png" /&#62;
How Long? (ongoing)(dir. Luke Willis Thompson)
16mm, Kodak Vision 3 250d, silent 11 minutes, 26 seconds. Color negative film transferred to digital video. Aaton XTR Prod. 
The premise of How Long? refers to a tradition of naming which is specific to indigenous Pacific Island cultures. New names can be given either as first or surnames providing an event or the relation that grants the name is significant enough.
Filmed in Fiji, How Long? presents four individuals from different families, who each carry the name of a nation or contested territory. Arranging the subjects from oldest to youngest and making their names available in their anglicised form, the portraits collectively construct an embodied timeline which maps the global deployment of Fijian soldiers and security forces over the past four decades: Jone Lebanon (born 1979), Rosi Lebanon (born 1984), Rupeni Iraq (born 2011) and Inia Sinai (born 2017).
DIRECTOR OF PHOTOGRAPHY 
Mhairi-Clare FitzpatrickCommissioned by Adam Art Gallery Te Pātaka Toi, Wellington. Curated by Stephen Cleland. Produced with support from Creative New Zealand, Chartwell Trust and the Jan Warburton Charitable Trust. Filmed on location in Lautoka, Suva, and Nausori, and with the permission of the villages of Namoli and Munua, December 2017.
Exhibitions:
2018 - Luke Willis Thompson, Adam Art Gallery, Wellington

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	<item>
		<title>_human</title>
				
		<link>https://mhairiclarefitzpatrick.com/_human</link>

		<pubDate>Mon, 05 Nov 2018 19:59:21 +0000</pubDate>

		<dc:creator>Mhairi-Clare Fitzpatrick</dc:creator>

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		<description>_human
&#60;img width="3000" height="2002" width_o="3000" height_o="2002" data-src="https://freight.cargo.site/t/original/i/fba97e8f26ed3018c7fb0072ec752dbd7c3cf18fa399eb12d8967280e820af03/Luke-Willis-Thompson-Kunsthalle-Basel-_Human-01.jpg" data-mid="27815444" border="0"  src="https://freight.cargo.site/w/1000/i/fba97e8f26ed3018c7fb0072ec752dbd7c3cf18fa399eb12d8967280e820af03/Luke-Willis-Thompson-Kunsthalle-Basel-_Human-01.jpg" /&#62;_human(dir. Luke Willis Thompson)35mm, Kodak Vision3 500T, silent 9'30". Arriflex 435 Awards:2018: Turner Prize Nomination (Forthcoming)
_Human is a filmic instillation of a sculpture by artist Donald G. Rodney, My Mother. My Father. My sister. My Brother (1996-7). This sculpture is comprised of a sheet of Rodneys skin, dressmaking pins, and scotch tape, and was crafted during Rodney’s stay at Kings College Hospital, London, before he died from a pulmonary embolism, making this artwork his last finished piece. _Human revisits Rodney’s work, as well as the intersection of themes of police and state violence, racism, and black and indigenous ontologies, to create a meditative reflection on the legacies of race and genetic inheritance, chance, and mortality.DIRECTOR OF PHOTOGRAPHY
 Mhairi-Clare Fitzpatrick
 EDITOR
Annie Collins
 FIRST ASSISTANT CAMERA
Jerry Pradon 
LIGHTING TECHNICIAN
Straton Heron
Kupa Warner 
MOTION CONTROL OPERATION
John Adderley
 COLORIST
Damian McDonnell 
POSTPRODUCTION
Park Road Post Production, Wellington
Commissioned and produced by Kunsthalle Basel. With support from Panavision. Made with the kind permission of the Estate of Donald Rodney, London.&#38;nbsp;
Exhibitions:
2018 - Turner Prize (2018), Tate Britain, London2018 - _Human, Kunsthalle Basel, Basel
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© The estate of Donald Rodney</description>
		
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		<title>Left Nav</title>
				
		<link>https://mhairiclarefitzpatrick.com/Left-Nav</link>

		<pubDate>Mon, 05 Nov 2018 19:59:22 +0000</pubDate>

		<dc:creator>Mhairi-Clare Fitzpatrick</dc:creator>

		<guid isPermaLink="true">https://mhairiclarefitzpatrick.com/Left-Nav</guid>

		<description>Mhairi-Clare Fitzpatrick

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